A.J. Artemel is a second-year student at Yale School of Architecture. He holds a BS Arch and a Minor in Urban and Environmental Planning from the University of Virginia.
A roving exhibit lets anyone write in.
Text messages inhabit a strange duality: on the one hand, they are now one of the most prevalent forms of communication in the urban setting, and on the other, they are meant for the eyes of the sender and receiver only. Any threat to the privacy of digital word is seen as an invasion of the mind; why else do we tilt our phones away from view when on public transportation? This privacy also allows text messages to be uninhibited—some would say too much so. But what happens when texting becomes a public act?
New York-based artist Paul Notzold explored this with ‘TXTual Healing,’ a travelling interactive urban installation recently stationed in Sheboygan, Wisconsin, as part of Wooster Collective’s Sheboygan Project. It works thus: text bubble frames are projected onto walls along with images. Passersby send text messages to a projected number, and these messages are then cycled through the text bubbles. The result is a spectacle in which one tries to guess who in the crowd sent what, and contradictory thoughts are juxtaposed in physical space. Since there is no filter on the content, some messages may get obscene or raunchy, and yet the overall tone of the installation tends to be positive.
It is also interesting to note how the content of the messages changes depending on its urban context: there are the obvious changes in language, but also in length and verve. It seems, however, that humor is a universal. Perhaps the most exciting outcome is simply the interaction between the digital world and the physical world; what was once communicated between two people becomes communicated to a multitude, and the very act of communication changes the physical environment through the mechanism of light.
This post originally appeared on Architizer, an Atlantic partner blog.