Kriston Capps is a staff writer for CityLab covering housing, architecture, and politics. He previously worked as a senior editor for Architect magazine.
The most functional part of airport design gets turned into stark yet elegant art in a new poster series.
Maybe it shouldn't come as a surprise that some folks out there are obsessed with the patterns of airport runways. After all, the humble airport carpet has inspired socks, stationery, tattoos, and a global pattern encyclopedia. Should we expect any less admiration for the macro design decisions made by airport planners than that devoted to the finer details?
Graphic designer Mike Bain is looking at the bigger picture. He's taken the runway patterns of five domestic airports and given them the popular minimalist-poster treatment. The prints look like they could be icons for the cities that host these airports.
In an interview with Fast Co. Design's Carey Dunne, Bain says that his airport obsession has driven him to "planespotting, listening to air traffic control, and renting three hours in a full motion 747 simulator at American Airlines' Pilot Training Center in Texas."
Bain's prints, which he is selling through his website for $110 a pop (and at exhibits), have a streamlined Suprematist quality to them, like an extremely clean composition by Malevich or El Lissitzky. The posters even sort-of kind-of resemble El Lissitzky's geometric compositions in space, the Proun series (an acronym for "Project for the Affirmation of the New" in Russian).
Maybe Suprematism's a stretch. But the prints definitely belong to the growing field of design that starts with infrastructure and winds up with abstraction. In a way, that's just an extension of the process by which Portlanders came to admire the PDX airport carpet so much—an abstract carpet design modeled on the runway pattern that became a soft part of the airport's infrastructure.
Memo to Bain: You should probably get on that PDX print.