A new short film looks at the vibrant and eclectic culture of the Portuguese capital and its trademark azulejos.
By the 18th century, Portugal had become Europe's leading manufacturer of azulejos. The ceramic tiles, distinguished by their blue glaze frequently featuring religious motifs, are not indigenous to the west coast of the Iberian Peninsula. In fact, the earthenware pieces originated on the opposite side of the Mediterranean, in Egypt, where they were first baked centuries before. The designs were eventually introduced to Europe, where they gained wide popularity in the Portuguese capital of Lisbon.
Even today, the azulejos are an ubiquitous part of Lisbon design. "The earthenware is on every street corner," says Florian Lalanne, a filmmaker who recently returned from the city. "It's really amazing."
When the city opened its first metro station in the 1950s, urban planners decided to design it with azulejos. Tiling the modern transit system had little to do with engineering and everything to do with the rider experience. The azulejos made "the underground spaces feel less separate from the outside world," according to a BBC report.
Lalanne, a French national, has captured the coastal city's energy—and its famous tiling—in a new short film. Waiting for Azulejos was shot over three days while Lalanne toured the city with his wife. It's part of a larger film series, called the Waiting Project, where filmmakers patiently capture some of the quieter aesthetic beauty of cities across the world, Lalanne says.