A glimpse into the often maligned and rarely appreciated police forces that manage the megacity.
Photographer and architect Rafael Herrin-Ferri explores the borough’s expressive architecture.
Francois Prost’s new photo series looks at Tianducheng, a town built to look exactly like the City of Lights.
For tourists in Midtown looking for the True Spirit of Christmas, photographer Chris Maggio knows just where to go.
A show in Montreal focuses on the province’s forgotten history with the geodesic dome leading up to Expo 67.
A Carolinian drives along a familiar road to make sense of what exists in between the South’s most regressive and progressive narratives.
A profession that dates back to Aztec times, most today are indigenous farmers on the grey divide between migration and seasonal work in the city.
Amidst heightened political tensions, city life in the hermit kingdom goes on.
Religious events help maintain organizational frameworks and a sense of identity in the formerly rural and mostly indigenous areas that now form Iztapalapa—Mexico City’s largest district. There’s honor to be had for the few who get to organize such events.
Gaspard-Félix Tournachon, known as “Nadar,” dared to take his camera out of the studio in the mid-1800s and into the skies and sewers of the city.
Ciudad Nezahualcoyotl was developed on top of the swampy remains of Lake Texoco by dubious subdividers after World War II. Thanks to some of its earliest residents, “Neza” has become a thriving hub of culture and commerce with running water and paved roads just outside Mexico’s capital.
Villagers in Janakpur are anticipating the return of a colonial-era train route that’s considered their lifeline—but progress has been slow.
Photographer Richard Silver bends the vaulted ceilings of churches into surreal, dazzling designs.
Camilo Jose Vergara reflects on what he’s learned from photographing the city since the early ‘90s.
Subterranean vats were an emergency response to the city being repeatedly and savagely burned to the ground.
New audiences can relive Chermayeff and Geismar’s visual standards made for the agency in 1977.
A British photojournalist is training his camera on the sites of the South’s ugliest open secret.
They’re cheerful, witty, and a little bizarre.
Whatever happens to the Environmental Protection Agency, it has a clear legacy in cities.
A distinctive local tradition is kept alive by a handful of mostly older black artists.